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Chapbook, essay. By Marion Zimmer Bradley. Marion Zimmer Bradley. First edition with no additional printings listed.

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Stiff paper binding. An extended essay on one of Bradley's important precursors, a fantasy author who greatly influenced her own writing. Anthology providing a historical overview of nineteenth and twentieth century American and British horror fiction with introduction and notes by Daniels and twenty-five stories by Washington Irving, Edgar Allan Poe, Nathaniel Hawthorne, J. Sheridan Le Fanu, M. James, Arthur Machen, Robert W. Chambers, H. II, No. By Lee Weinstein. Reprint, The Romantist, No.

Introduction For love of country: the theme in its time: romance revives; hurrah for America; a new-created world; the midlander in America; God in His world; the chains of roses; the title-mongers; anglo-saxon superiority; the rival camps; emergence of theme: for love of country The development of an American identity: the historical romance: Mary Johnston; the frontier romance: The Virginian and after; the society romance: Robert W Chambers; the domestic romance: Harold Bell Wright.


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Bleiler, pages From the liner jacket: "This collection contains pieces of nineteenth-century writings about the war found hidden in journals and literary magazines and in forgotten novels long out of print - all as powerful and exciting as some of the more famous stories of Crane or Bierce. Most of the works included have not, until now, been generally available to the public.

This volume attempts to balance Northern and Southern views of the Civil War. The criteria of selection has been artistic value: The Faded Banners covers the war in depth,, and includes stories that capture the excitement and emotional impact in the struggle. This anthology collects together some of the best and most famous Victorian ghost and horror stories mostly gleaned from long forgotten collections of short stories, both English and American.

Jerome; An Unexpected Journey, by J. Pearce; The Pride of the Corbyns, by Mrs. NMint condition in Mylar cover. Book condition: As new. Clean, flat and white. Autographed by the three editors on front endpaper.

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Synopsis and comments: Step into the weird and unpredictable world of classic fantasy and horror in this spine-tingling anthology of stories and novellas from the incomparable pulp magazines Famous Fantastic Mysteries and Fantastic Novels. A mysterious, man-eating fungus mixes with deadly games played at the fringes of the universe, humanity is a stigma, and a little knowledge can mean the survival-or the end-of all mankind.

These are, indeed, stories to freeze your blood and turn your pillow to stone. In Francis Stevens' "Behind the Curtain," an antiquarian's greatest treasures are his ancient Egyptian coffin-and a lovely, faithless wife. Phillip M. Fisher's "Fungus Isle" is a place where creeping, menacing destruction slowly closes in, and unwary men become something less than human. Lord Dunsany's "The Highwayman" proves that while a man's sins can be weighed in earthly scale, you cannot weigh his soul; Bram Stoker's "The Burial of the Rats" presents a unique look at the darker side of Paris.

Clarke's "Guardian Angel" tells of silent, grim guardians from outer space. Collectors should note that A. Merritt's "The Face in the Abyss" is reprinted here in the rare original version-as it was first written in the October issue of Famous Fantastic Mysteries, before extensive revisions and republication. This superb anthology offers a selection of the very best tales published in Famous Fantastic Mysteries and Fantastic Novels-and an opportunity for a new generation to experience the enchantment of the "famous fantastic mystery.

Robert M. Price, editor. This is in very good solid condition with no marks or writing. Publisher : Chaosium, , softcover. The Space Magicians story. Department of Literature.

Hastur: The King in Yellow - (Exploring the Cthulhu Mythos)

Chambers Bibliography Bibliography A modern version by W. Butler-Bowdon, with an introduction by R. Chambers; very funny vignette on title page of Margery; the frontispiece is a reproduction of a page of the original manual; being the earliest known autobiography in English. Ppublished by Devin-Adair Company, , pages, indexed. Gay Nineties Cookbook recipe. Compiled, Written and Done into this book by F. Meredith and August Dietz, Jr.

The high tide of luxurious living swept America in the decade known as the Gay Nineties, the Gilded Age, or more fittingly, the Naughty Nineties when Victorian prudery was a pretty screen behind which every delightful sin cavorted, and frequently escaped via such headline-makers as The American Beauty, Lil? The get-rich-quick American was on a spending spree.

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European chefs hurried over to strike it rich by tickling palates. Includes Robert W. Probaby some game dish, since RWC was most noted outside literature as a sportsman whose columns on fishing and game shooting appeared regularly in magazines. The Maker of Moons reprint. Louis tells Hildred to put that brass tinsel back in its biscuit box!

Hildred congratulates Louis and asks to meet him in Washington Square that night. Hildred goes to Wilde, carrying his crown and kingly robes marked with the Yellow Sign. Together Wilde and Hildred convince him to aid in executing Hawberk and Constance, and arm him with a knife. Now only Louis, Constance and Hawberk stand between Hildred and the throne! No, wait, only Louis, because Vance runs into the Lethal Chamber, having obviously finished the ordered executions.

The King in Yellow and Other Horror

Hildred kills her and watches his master die. Police arrive to subdue him; behind them are Louis, Hawberk and Constance, unharmed. They roll gracefully off the tongue—though the tongue may later regret speaking their dread names. For self-preservation, you know. But bigotry and intolerance have totally been laid in their graves. Getting rid of the foreigners and their pesky restaurants, of course, makes room for the Government Lethal Chamber.

Surely a coincidence, that. Mythos Making : Lovecraft took up Carcosa for the Mythos canon—as who would not, having glimpsed the wonder and horror of its twin suns? Libronomicon : The Necronomicon may thoroughly alarm its readers, and its prose is at best self-consciously melodramatic. Madness Takes Its Toll : If a doctor mistakenly places you in an asylum after a head injury and incidental reading of The King in Yellow , you must of course seek vengeance.

But then I start to notice that this perfect, blissful future America seems to have a lot of militarism that the narrator takes for granted. Perhaps that first section is intended to be read with a doubtful eye—maybe? Not only the brain-breaking play, but the mundane details of politics and everyday life. Keeping a murderous cat, or reading a life-destroying play, seem almost redundant. The play, certainly and ironically. The Lethal Chamber, too, seems nastily real.

And behind it, the militarized dystopia that Hildred never acknowledges. But is the King real? Yellow-faced Wilde seems to serve him—but Hildred serves the creature without ever meeting him, and Wilde might do the same. We see only one of his clients, another King- reader who seems as out of touch with reality as Hildred. If his reputation were either damaged or repaired, would he even know? Plays are normally intended to be performed.

So what happens to people who see The King in Yellow live? Put another way, how much does he make up or misinterpret in his grandiose paranoia? All of it?

None of it? Something in between? Hildred describes what for him seems a utopia of American exceptionalism: growing military power, secure and far-flung colonies, centralized power, urban renewal, religious tolerance and prosperity, hints of eugenics in the exclusion of undesirable immigrants and the new policy of letting the mentally ill remove themselves from the national gene pool.