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Three elite climbers struggle to find their way through obsession and loss as they attempt to climb Mount Meru, one of the most coveted prizes in the high stakes game of Himalayan big wall climbing. The story of the deadliest day on the world's most dangerous mountain, when 11 climbers mysteriously perished on K2. In an unbelievable story of perseverance, free climber Tommy Caldwell and climbing partner Kevin Jorgeson attempt to scale the impossible ft Dawn Wall of El Capitan. In the shady campgrounds of Yosemite valley, climbers carved out a counterculture lifestyle of dumpster-diving and wild parties that clashed with the conservative values of the National Park Service.

Based on a true story, North Face is a survival drama film about a competition to climb the most dangerous rock face in the Alps. Set in , as Nazi propaganda urges the nation's Uses astonishing visuals to tell the intersecting stories of George Mallory, the first man to attempt a summit of Mount Everest, and Conrad Anker, the mountaineer who finds Mallory's frozen remains 75 years later.

Following a group of climbers attempting to climb K2 in , on the year anniversary of its landmark expedition. Experience the adventure, peril and serenity of a group's attempt to climb the most challenging peak on earth. After a near-death mountain climbing accident, Joe Simpson's injuries were so severe he was told he'd never climb again.


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His recovery left him to confront the question: why, after coming so A fight on Everest? It seemed incredible. But in news channels around the world reported an ugly brawl at m 21, ft as European climbers fled a mob of angry Sherpas.

In , Tenzing Norgay and Edmund Hillary's monumental and historical ascent of Mt. Everest in - an event that stunned the world and defined a nation. REEL ROCK cranks it up to 11 with our latest collection of electrifying climbing films showcasing the sport's biggest stories and athletes. In the mid's two young climbers attempted to reach the summit of Siula Grande in Peru; a feat that had previously been attempted but never achieved. With an extra man looking after base camp, Simon and Joe set off to scale the mount in one long push over several days.

The peak is reached within three days, however on the descent Joe falls and breaks his leg. Despite what it means, the two continue with Simon letting Joe out on a rope for meters, then descending to join him and so on. However when Joe goes out over an overhang with no way of climbing back up, Simon makes the decision to cut the rope. Joe falls into a crevasse and Simon, assuming him dead, continues back down. Joe however survives the fall and was lucky to hit a ledge in the crevasse.

This is the story of how he got back down. Written by bob the moo. The story of what happens when two British climbers try to reach the top of a previous unclimbed mountain is one of the most spellbinding films in years.

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A hybrid of talking heads and re-enactments this movie is one of the best films on mountain climbing ever made. You'll forgive me but its hard not to speak in terms like, best, greatest, ect when you talk about this film. I think its all best summed up by the term, "WOW!!!

Not having been able to see this on a big screen I've had to make due with the DVD, which contains an extra called "What happened next My only complaint, and its a small one, is that the pace of the second half could be a bit tighter, other wise this is simply a great great movie. Explore popular and recently added TV series available to stream now with Prime Video. Start your free trial. Sign In. Keep track of everything you watch; tell your friends.

Full Cast and Crew. Joe Simpson and his climbing partner, Simon Yates, attempted to be the first to climb the west face of Siula Grande in the Peruvian Andes. After reaching the summit, on the descent, Joe slipped, fell on to a narrow ledge of the treacherous Siula Grande and passed out. Simon thinking that Joe was killed by the fall because he could not get any response from Joe for hours, decided to cut himself free from the safety rope holding Joe, for his own safety.

Simon returned to base, leaving Joe all alone, injured with a broken leg and trapped on the ledge. Joe found the way out and miraculously managed to drag himself, against all odds, for four days through hazardous mountain cliffs and surfaces to reach the base camp and safety. Sarah is used as a narrator to tell us what is happening to Joe.

In fact, her character interferes with the flow of the developing situation. Richard is a redundant foil for Sarah and Simon to bounce their insignificant dialogues off.

Touching The Void

For example, it makes no sense for Sarah to question the death of Joe, sometime later weeks? The next day Yates emerged from a snow hole after a tortured, restless night and descended the rest of the mountain. He could see the enormous crevasse that Simpson had fallen into and immediately assumed that he couldn't have survived the fall. For some reason, he failed to walk over to the crevasse to look inside just to be sure.

Instead he set off for base camp - leaving his friend for dead. The rest of the story tells how Simpson miraculously managed to escape from his icy tomb and then, in an incredible feat of determination, crawl with his broken leg for three days and nights to reach the base camp, arriving just hours before Yates and their companion Richard Hawking packed up and left for good.

Avoiding the Touch - Return to Siula Grande

After all he'd been through, the first thing Simpson did was to thank Yates for all that he'd done to get him down the mountain. As a story it has an almost mythological force. It frightens you. It also confronts you with a number of moral conundrums and comparisons. Was Yates right to cut the rope? Why didn't he check to see if Simpson was dead?

Would I have survived if I had been in the same situation as Simpson? Or would I have just curled up and died? But it also presents us with some big themes: the nature of forgiveness, the cold loneliness of a Godless universe and the consequent importance of human companionship, for all its flaws. Ultimately it is - to use that trite but accurate Hollywood phrase - a story about "the triumph of the human spirit".

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Since it was published in two years after the events actually happened , the film rights for Touching the Void had been owned or sought by myriad film producers. Werner Herzog tried to get it, Frank Marshall, the director of Alive and producer of numerous Steven Spielberg films, wanted it The reason seemed obvious.

The book consists almost entirely of internal monologue - the two climbers barely speak throughout their ordeal, and during the crucial stages are in fact separate. How do you make an accessible film out of that? My solution, of course, was to make it as a documentary - to throw out the book itself and go back to Simpson and Yates and the third incidental character, Hawking and get them to tell the story afresh.

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I was worried that so long after the event - and having talked about them so often - they would tell the story in a dry, unspontaneous way. Only if the interviews work, would it be worth continuing with the film. These concerns turned out to be unfounded. The story was still very much a live issue for all three characters.

In some odd way they were all still in thrall to what had happened over a few days so long before.

Touching the Void

Whether they admitted it or not - and two of them didn't - in my opinion the events on Siula Grande continued to shape their lives. So the heart and skeleton of the film was already there.

nn.threadsol.com/55165-the-best.php But what about the flesh? The only option was a technique that sent shivers down my spine: dramatic reconstruction. In film, I believe things should either be documentary or drama. If there is a tendency in modern television I hate, it is the unstoppable march of the dramatic reconstruction to tell the stories of anything from an ancient Egyptian battle to the early life of Paul Gascoigne. That was my biggest fear: that people would watch Touching the Void and say: "My God, it's a big-screen version of with Michael Buerk.

The answer we came up with was simple: no half measures. Keep the documentary element the interviews straightforward and make the dramatic elements feel as real as possible, filming in a naturalistic style with good actors and no apologies. Would it work?